A brief history of Electric Abstraction
Steve started playing guitar circa 1974 when he was in the 4th grade. John
Denver was the major inspiration to start playing. He mainly taught
himself a few chords and started singing (badly) while accompanying
himself on the guitar.
A couple of years later, something happened. He discovered Kiss. This
made him want to play lead guitar just like Ace Frehley. Problem was,
he didn't have any learning resources to teach him how to play more
than basic chords.
Finally, when he was a freshman in high school, he
started finding motivation and resources (like friends) to get
on the road to better playing. Throughout high school and
beyond, his playing began to improve more and more.
Also around this time, he discovered the instrumental music of Dixie Dregs
(they called themselves "The Dregs" at that time). He also discovered
Electric Jazz like Al Dimeola and Larry Carlton. These styles really appealed to Steve
partly because he can't sing a note, but mainly because he appreciates musicianship
just a little more than word content.
Soon after graduation, Steve joined a band. This band never really came together
however. There just wasn't any chemistry.
Things changed when he joined the US Navy. His focus
changed from a band setting to more of a recording project
situation. He bought a 4 track cassette recorder, Roland
TR-505 drum machine, Yamaha DX27S keyboard, Yamaha TX81z synth
module, MIDI sequencer, and mixer among other equipment. Steve
first started out recording instrumental rock/blues songs.
Around this time, he also started tinkering with the keyboard.
He didn't practice his keyboard as much as he should have,
however. He never became very proficient at it.
Steve soon set his sights higher. This is pretty much when the
vision of adding new age flavor to his compositions began. The
problem was, he didn't play keyboard very well, and technology was far
behind his musical vision around 1986/87. As a result, he
never really composed any songs he liked.
Also, he started losing focus and discipline. It started getting to the point where
he would buy a several hundred piece of equipment which he would play with for a while.
Then it would just sit on the shelf with the rest of his stuff.
Things really went downhill for Steve when a serious medical condition started taking over
his life. This would eventually lead to his discharge from the Navy. The old, outdated medical treatment he
received only contributed to his loss of desire to be a musician, and his love for music. Almost a
decade passed where Steve was a shell of his former self. He didn't so much as pick up an
instrument during this time.
In 1998, a light switch was turned on and things began improving substantially. Steve began receiving a
newer, more modern medical treatment. His love for music was re-awakened and has
been growing ever since.
Steve found himself living in a technological age where he had the tools necessary to compose
music without being able to play keyboards well. This gave
birth to "Metalart." The idea behind it was a fusion of progressive
metal and new age. His music became less and less metalic and more prog rock, so he
dropped the name Metalart and chose Electric Abstraction.
In early 2002, Steve started brushing up on his keyboard playing
skills. He practices now more than he ever did in the Navy. As a result, he's
really starting to get the hang of it. Now his ideas come to life more quickly and
easily. He can now play piano and other keyboard parts rather than clicking notes on
a staff with the mouse.
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